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In seiner Bildsamkeit ist der Mensch ein Abbild der schöpferischen Kraft Gottes. In welchem Zusammenhang stehen dann Bildung und Religion? Inwiefern sollte Religion Bestandteil öffentlicher Erziehung und Bildung sein? Welche Relevanz hat der schulische Religionsunterricht heute? Zu diesen Fragen thematisiert der vorliegende Band das Verhältnis von Pädagogik, Theologie und Religionspädagogik, indem er Grundbegriffe und Basistheorien erläutert sowie Zusammenhänge zwischen der pädagogischen Grundtatsache menschlicher Bildsamkeit und dem theologischen Begriff einer göttlichen Ebenbildlichkeit des Menschen aufzeigt. Ebenso werden bildungs- und religionspolitische Fragen im Kontext einer angemessenen Institutionalisierung von Religionsunterricht an öffentlichen Schulen diskutiert. Gemeinsames Ziel aller Beiträge ist es, die Entwicklung einer durch schulischen Religionsunterricht geförderten religiösen Kompetenz als Teil öffentlicher Erziehung und Bildung auszuweisen.

Christian art and symbolism. --- Religion. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology

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An authoritative assessment of the changing relationship between the Bible and the artsIn this unique Companion, 35 scholars, from world-famous to just beginning, explore the role of the Bible in art and of artistic motifs in the Bible. Specially commissioned chapters demonstrate that just as the arts have portrayed biblical stories in a variety of ways and media over the centuries, so what we call ‘the’ Bible is not actually a single entity but has been composed of fiercely contested translations of texts in many languages, whose selection has depended historically on a variety of cultural pressures, theological, social, and, not least, aesthetic.Key FeaturesDivided into 3 sections, Inspiration and Theory, Art and Architecture, and LiteratureGenerously illustratedCovers aesthetic interpretations of specific biblical books; of the Hebrew and Christian Bibles as a whole; the transmission of biblical texts; various bindings and illustrations of Bibles – in response to pressures as diverse as Islamic craftsmanship and the English ReformationIncludes biblical influences on poetry, painting, church architecture, decoration, and stained glass; on poetry, hymns, novels, plays, and fantasy literatureSpans the earliest days of the Christian era to the present

22:7 --- Bijbel en kunst --- Bible --- Holy Scriptures (Bible) --- Influence. --- History of Biblical events --- Arts in the Bible. --- Christian art and symbolism. --- Biblia --- Christian drama in art. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament

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Between the 16th and the 19th centuries, the west central African kingdom of Kongo practised Christianity, actively participating in the Atlantic world as an independent, cosmopolitan realm on a par with European monarchies. Drawing on an expansive and largely unpublished set of objects, images, and documents, this book examines the advent of Kongo Christian visual culture, traces its development across four centuries marked by war and the Atlantic slave trade, and finally narrates its unravelling as 19th-century European colonialism penetrated Africa.

Christianity --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religions --- Church history --- Kongo Kingdom --- Kingdom of Kongo --- Church history. --- Religious life and customs.

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This volume of 'Intersections: Interdisciplinary Studies in Early Modern Culture', consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical images prove crucial to understanding how meaning was constituted visually, not only in the sacred sphere but also in the secular.00.

Theory of knowledge --- theology --- Iconography --- iconography --- anno 1500-1799 --- anno 1400-1499 --- Christian art and symbolism --- Visual communication --- Theology --- Hermeneutics --- Art et symbolisme chrétiens --- Communication visuelle --- Théologie --- Herméneutique --- History --- History. --- Histoire --- Bible --- Hermeneutics. --- Criticism, interpretation, etc. --- Illustrations. --- Europe --- Religious life and customs. --- Intellectual life. --- Vie religieuse --- Vie intellectuelle --- Conferences - Meetings --- Art et symbolisme chrétiens --- Théologie --- Herméneutique --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Christian theology --- Theology, Christian --- Christianity --- Religion --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Biblia --- Symbolism in art

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No âmbito do projectode investigação financiado pela Fundação para a Ciência eTecnologia sobre o “Estudo das madeiras da colecção do MuseuNacional de Arte Antiga e Museu Grão Vasco – implicações na conservação erestauro”, o objectivo central foiidentificar as madeiras da colecção de escultura dos referidos museus, cujosresultados agora se publicam. Aintervenção de especialistas de várias áreas científicas contribuiu para amultiplicidade das conclusões que podem tirar-se e para o significativo avançono conhecimento da Colecção. Isso salienta-se não só ao nível da identificaçãotécnica e comportamento estético dos materiais, mas também no que diz respeito

Wood sculpture --- Christian art and symbolism --- Conservation and restoration --- Museu Grão Vasco. --- Museu Nacional de Arte Antiga (Portugal) --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Wood carvings --- Wooden sculpture --- Sculpture --- Wood-carving --- Instituto Português do Património Cultural. --- Lisbon. --- MNAA --- Museo nazionale d'arte antica (Portugal) --- Museu das Janelas Verdes (Portugal) --- Museu de Arte Antiga de Lisboa. --- Museu de Lisboa. --- National Ancient Art Museum (Portugal) --- Portugal. --- Museu Nacional de Bellas Artes (Portugal) --- Museo Grão Vasco --- MGV